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THE FLOATING BAMBOOS HANG ACROSS THE SOUTHERN COURT 浮空兩竹橫南閣 by SCOTTY SO at PASSAGE GALLERY [from 20231117 to 20231223]

[Photos: Document Photography]



‘The floating bamboos hang across the southern court’ draws from So’s  personal experience of returning to Hong Kong and witnessing the  aftermath of a devastating flood endured by the city. On the city’s streets  mud, unearthed trees and household rubbish laid sullied and silt-laden under  Hong Kong’s neon lights. This flood resonated with So, representing the  uncontrollable force of Hong Kong’s love affair with modernity, washing  away ancestral traditions with the bright lights of the future, and the political  upheaval of radical change Hong Kong’s society has endured in recent years.

In this installation, So contemplates the notions of time and its inexorable  passage. So’s experience of time is represented in the different materials  present in the show, ancestral time symbolised by antique chairs is pierced  by the unrelenting modernity of the cheap PVC bamboo pipes while the installation is washed in street lights summoning the night where time  stands still.  

At the core of So’s installation is the wisdom imparted by his poet ancestor,  Su Shi—who asserted that no one can truly live without a bamboo garden.  Culturally significant, the bamboo garden represents a vital setting for  existence in ancient Chinese culture. Bamboo’s tall, straight stems  symbolise resilience and an upright character, reflecting the values of  integrity and strength in the face of adversity, yet bamboo’s ability to bend  without breaking in strong winds symbolises adaptability and growth. In his  installation, So replaces the traditional bamboo garden with store bought  unrefined materials similar to those that washed up in Hong Kong’s flood,  becoming a poignant metaphor for modernity superseding and overshadow ing the wisdom and philosophies of the past.

[Text: Passage Gallery]





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