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[20221122]

POST-CAPITAL with works by EI ARAKAWA, MOHAMED BOUROUISSA, CAO FEI, SIMON DENNY, LARA FAVARETTO, GCC, GUAN XIAO, SHADI HABIB ALLAH, ROGER HIORNS, OLIVER LARIC, LIZ MAGIC LASER, KATJA NOVITSKOVA, LAURA OWENS, YURI PATTISON, SONDRA PERRY, JOSEPHINE PRYDE, NICK RELPH, CAMERON ROWLAND, HITO STEYERL, MARTINE SYMS and NORA TURATO at KUNSTHAL CHARLOTTENBORG [from 20220917 to 20210115]

[Photos: David Stjernholm]

Sondra Perry, IT’S IN THE GAME ’18 or Mirror Gag for Projection and Two Universal Shot Trainers with Nasal Cavity and Pelvis (2018). Installation view, Kunsthal Charlottenborg. Photo by David Stjernholm. Courtesy of the artist & Collection Mudam Luxembourg, Musée d’Art Moderne Grand Duc-Jean. Donation 2019: Allen & Overy. Guan Xiao, Kikachick is stepping towards the snow covered stage, while a faint tinge of pink reflected from the lights under the deep blue dusk is shimmering on its icy surface (2021). Installation view, Kunsthal Charlottenborg. Photo by David Stjernholm. Courtesy of the artist & Kraupa-Tuskany Zeidler, Berlin. Guan Xiao, Kikachick is stepping towards the snow covered stage, while a faint tinge of pink reflected from the lights under the deep blue dusk is shimmering on its icy surface (2021). Detail, Kunsthal Charlottenborg. Photo by David Stjernholm. Courtesy of the artist & Kraupa-Tuskany Zeidler, Berlin. Josephine Pryde, Pinch (2022), For Myself (2014), Clouds (2022). Installation view, Kunsthal Charlottenborg. Photo by David Stjernholm. Courtesy of the artist & Galerie Neu, Berlin. Hito Steyerl, Duty Free Art (2015). Installation view, Kunsthal Charlottenborg. Photo by David Stjernholm. Courtesy of the artist & Esther Schipper, Berlin; Andrew Kreps, New York. Hito Steyerl, Duty Free Art (2015). Installation view, Kunsthal Charlottenborg. Photo by David Stjernholm. Courtesy of the artist & Esther Schipper, Berlin; Andrew Kreps, New York. Roger Hiorns, Untitled (2008). Installation view, Kunsthal Charlottenborg. Photo by David Stjernholm. Courtesy of the artist & Corvi-Mora, London. Roger Hiorns, Untitled (2008). Detail, Kunsthal Charlottenborg. Photo by David Stjernholm. Courtesy of the artist & Corvi-Mora, London. Simon Denny, UV printed funbug.com (1999-2001) reimagined by Cosmographia, 2022, UV printed funbug.com (1999-2001) reimagined by Guile Twardowski and Cosmographia, 2022, Dotcom Seance tutorial video (funbug.com) (2022). Installation view, Kunsthal Charlottenborg. Photo by David Stjernholm. Courtesy of the artist & Galerie Buchholz, Köln/Berlin/New York. Simon Denny, Document Relief 34 (funbug.com, 1999-2001, reimagined by Guile Twardowski) (2022). Installation view, Kunsthal Charlottenborg. Photo by David Stjernholm. Courtesy of the artist & Galerie Buchholz, Köln/Berlin/New York. Liz Magic Laser, In Real Life, (2019), trailer for 5-channel HD video installation, 90 minutes; custom seating (dimensions variable). Installation view, Kunsthal Charlottenborg. Photo by David Stjernholm. Commissioned by FACT, Liverpool, UK. Courtesy of the artist & Various Small Fires, Los Angeles/Seoul/Texas. Mohamed Bourouissa, ALL-IN (2012). Installation view, Kunsthal Charlottenborg. Photo by David Stjernholm. Courtesy of the artist and kamel mennour, Paris. Katja Novitskova, Pattern of Activation (2014). Installation view, Kunsthal Charlottenborg. Photo by David Stjernholm. Courtesy of the artist & Boros Collection, Berlin. GCC, Royal Mirage (2014). Martine Syms, Mythiccbeing (2018). Yuri Pattison, The ideal (v/0.3.2) (2015-2021). Nora Turato, eeexactlyyy my point (2021). Nick Relph, Sally (2015), So This Is Marriage (2015), The Girl From Everywhere (2015). Shadi Habib Allah, Dropping the 10th Digit (2018). Installation view, Kunsthal Charlottenborg. Photo by David Stjernholm. Courtesy of the artists & Collection Mudam Luxembourg, Musée d’Art Moderne Grand Duc-Jean. Donation 2020: Nadine Zeidler & Amadeo Kraupa-Tuskany. Courtesy of the artist and Sadie Coles HQ, London. Courtesy of the artist & Klosterfelde Edition, Berlin. Courtesy of the artist; LambdaLambdaLambda, Pristina; Galerie Gregor Staiger, Zürich. Courtesy of the artist & Herald St, London. Courtesy of the artist & Reena Spaulings Fine Art, New York/Los Angeles. Yuri Pattison, The ideal (v/0.3.2) (2015-2021). Installation view, Kunsthal Charlottenborg. Photo by David Stjernholm. Courtesy of the artist & Klosterfelde Edition, Berlin. Martine Syms, Mythiccbeing (2018). Installation view, Kunsthal Charlottenborg. Photo by David Stjernholm. Courtesy of the artist and Sadie Coles HQ, London. Yuri Pattison, The ideal (v/0.3.2) (2015-2021). Laura Owens, Untitled (2015). Ei Arakawa, Single’s Night (Duration: multiple times in total of 3 hours, & approx. 80 hours on preparation, Honorarium: 1,000 GBP, 0.20 GBP per minute) (2020), YouTube Our Unemployment (Post-Capital) (2021). Cameron Rowland, Handpunch (2014), Handpunch (2014), Handpunch (2015), Handpunch (2015), Handpunch (2015), Handpunch (2015). Martine Syms, Mythiccbeing (2018). Installation view, Kunsthal Charlottenborg. Photo by David Stjernholm. Courtesy of the artist & Klosterfelde Edition, Berlin. Courtesy of the artist & Alexander V. Petalas Collection, London. Courtesy of the artist and private collection in Cologne. Courtesy of Essex Street/Maxwell Graham, New York. Courtesy of the artist and Sadie Coles HQ, London. Shadi Habib Allah, Dropping the 10th Digit (2018). Installation view, Kunsthal Charlottenborg. Photo by David Stjernholm. Courtesy of the artist & Reena Spaulings Fine Art, New York/Los Angeles. Ei Arakawa, YouTube Our Unemployment (Post-Capital) (2021). Installation view, Kunsthal Charlottenborg. Photo by David Stjernholm. Courtesy of the artist & Galerie Max Mayer, Düsseldorf. Laura Owens, Untitled (2015). Ei Arakawa, Single’s Night (Duration: multiple times in total of 3 hours, & approx. 80 hours on preparation, Honorarium: 1,000 GBP, 0.20 GBP per minute) (2020), YouTube Our Unemployment (Post-Capital) (2021). Installation view, Kunsthal Charlottenborg. Photo by David Stjernholm. Courtesy of the artist & Alexander V. Petalas Collection, London. Courtesy of the artist & Galerie Max Mayer, Düsseldorf. Laura Owens, Untitled (2015). Installation view, Kunsthal Charlottenborg. Photo by David Stjernholm. Courtesy of the artist & Alexander V. Petalas Collection, London. Oliver Laric, Reclining Pan (2021), Hermanubis (2019), Hunter and Dog (2020). Installation view, Kunsthal Charlottenborg. Photo by David Stjernholm. Courtesy of the artist & Tanya Leighton, Berlin/Los Angeles. Oliver Laric, Hunter and Dog, 2020. Polyurethane, pigments, steel. Photo by Dirk Pauwels/Courtesy of Oliver Laric and Tanya Leighton, Berlin and Los Angeles. Nick Relph, Sally (2015), So This Is Marriage (2015), The Girl From Everywhere (2015). Installation view, Kunsthal Charlottenborg. Photo by David Stjernholm. Courtesy of the artist & Herald St, London.

Post-Capital brings together works of sculpture, painting, photography, video and performance that address the nature of production, consumption and wealth. The exhibition takes as its starting point the inherent paradox within a capitalist system that is both dependent upon and threatened by technological progress.

Today, forms of labour, currency, commodities and the nature of consumption have been dramatically transformed by technologies that continue to evolve. Information that is both abundant and infinitely replicable has become a valuable commodity that defies traditional economic principles, whereby value is determined by scarcity. Post-capital presents works by twenty-one artists that variously explore the aesthetics, paradoxes, absurdities and ethical questions posed by post-industrial and perhaps post-capital economies.

Participating artists: Ei Arakawa, Mohamed Bourouissa, Cao Fei, Simon Denny, Lara Favaretto, GCC, Guan Xiao, Shadi Habib Allah, Roger Hiorns, Oliver Laric, Liz Magic Laser, Katja Novitskova, Laura Owens, Yuri Pattison, Sondra Perry, Josephine Pryde, Nick Relph, Cameron Rowland, Hito Steyerl, Martine Syms, Nora Turato

Post-Capital: Art and the Economics of the Digital Age is curated by Michelle Cotton and produced by Mudam Luxembourg – Musée d’Art Moderne Grand-Duc Jean in close collaboration with Kunsthal Charlottenborg.

A fully illustrated catalogue including a curator’s essay and texts on the artists and their works is available from Kunsthal Charlottenborg’s bookstore. Post-Capital: A Reader also features recent writings by leading international thinkers in economics, art, and culture, including excerpts of books by James Bridle, Heike Geissler, Richard Seymour, Hito Steyerl, McKenzie Wark, and Shoshana Zuboff.

The exhibition is supported by Augustinus Fonden, Beckett-Fonden, Knud Højgaards Fond, Det Obelske Familiefond, Statens Kunstfond, William Demant Fonden, Aage og Johanne Louis-Hansens Fond.

[Text: Kunsthal Charlottenborg]





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